A Rare Live Moment That Captures the True Spirit of The Rubettes
A recently rediscovered live performance of Baby I Know by The Rubettes on the television program Supersonic offers a compelling reminder of how powerful genuine live pop performances once were. At a time when studio polish often defines an artist’s reputation, this appearance stands as clear evidence of vocal ability musical discipline and emotional sincerity delivered without artifice.
Supersonic was one of the most influential music television shows of its era and for many viewers it was a weekly ritual. The program built its reputation by showcasing artists performing live rather than miming to studio recordings. This made each appearance a true test of musicianship and confidence. For fans of The Rubettes the show provided a rare opportunity to hear the band exactly as they sounded on stage and Baby I Know remains one of the finest examples of that authenticity.
The performance is especially notable for the vocal work of Tony Thorpe. His voice carries warmth control and a natural expressiveness that elevates the song beyond a standard pop presentation. Thorpe does not rely on exaggerated gestures or vocal tricks. Instead he delivers the melody with clarity and emotional balance allowing the song’s romantic tone to emerge naturally. Many longtime listeners continue to regard his interpretation as definitive and this live rendition reinforces why that belief endures.
Musically the band sounds tight and confident. The arrangement remains faithful to the original recording while benefiting from the energy of a live setting. Harmonies are well balanced and the rhythm section maintains a steady unobtrusive drive that supports the vocal without overwhelming it. There is a sense of musicians listening to one another in real time which adds depth and spontaneity to the performance.
Beyond its musical quality the video also holds cultural value. Supersonic represented a period when pop music was presented with honesty and immediacy. Artists stood before cameras with little separation between themselves and the audience. For viewers who watched the show every week this performance evokes strong nostalgia and recalls an era when television played a central role in shaping musical taste and community.
This live version of Baby I Know is more than a pleasant revisit to a familiar song. It is a document of a moment when The Rubettes demonstrated their true strengths as live performers and when Tony Thorpe’s voice shone with unmistakable character. In an age increasingly dominated by technology and production this performance serves as a reminder that great pop music ultimately begins with real voices real instruments and genuine connection.