A Musician Among Instruments: David Lindley’s World at the Folk Music Center in Claremont
In a 1989 segment from Celebration Express, David Lindley is seen not on a concert stage, but in a setting that reveals the foundation of his musical identity. Filmed at the Folk Music Center, the clip offers a rare and grounded look at one of the most respected multi instrumentalists in modern music.
The Folk Music Center itself plays a central role in the story. Established by Charles and Dorothy Chase, the space functions as both a store and a living archive of global musical traditions. Its walls are filled with instruments from different cultures, many of which visitors are encouraged to play. Over time, it has become a gathering place for musicians, collectors, and enthusiasts, fostering spontaneous performances and informal collaboration.
Within this environment, Lindley appears entirely at ease. Known for his work with artists such as Jackson Browne, Curtis Mayfield, Warren Zevon, and Dolly Parton, he is presented not simply as a session musician, but as a deeply curious and versatile player. The video highlights his ability to handle a wide range of stringed instruments, including those drawn from non Western traditions.
Lindley explains that the center has had a lasting influence on his musical development. For him, it is more than a retail space. It is a place where ideas are exchanged and where exposure to unfamiliar sounds can shape a musician’s approach. His interest in instruments such as the Turkish saz reflects a broader commitment to exploring music beyond conventional boundaries.
The segment also touches on Lindley’s professional work. In studio sessions, he is often asked to bring a wide array of instruments, reflecting his reputation for adding distinctive textures to recordings. This adaptability has made him one of the most sought after collaborators in the industry.
At the same time, the video emphasizes restraint as part of his musicianship. Lindley is recognized not only for what he plays, but for his sense of timing and judgment. The ability to choose when not to play becomes as important as technical skill, a quality that has defined many of his most effective contributions.
The Claremont setting reinforces this perspective. Surrounded by instruments from around the world, Lindley’s approach appears rooted in exploration, listening, and respect for musical diversity. The Folk Music Center serves as both inspiration and community, shaping a style that is as informed as it is intuitive.
Viewed today, the 1989 footage stands as a valuable document of an artist whose influence extends across genres. Through this quiet but revealing moment, David Lindley is shown not just as a performer, but as a musician continuously shaped by the sounds and spaces around him.