Michael McDonald Live in 1987 A Defining Moment for I Keep Forgettin Every Time You are Near
The 1987 live performance of I Keep Forgettin Every Time You are Near stands as a clear snapshot of Michael McDonald at a confident and productive stage of his solo career. Introduced warmly by Chet Atkins, the appearance places McDonald in the company of respected peers and veteran musicians, while allowing the song itself to remain the central focus. The setting was a cable television special built around musical collaboration rather than spectacle, and it gave McDonald the ideal space to present one of his most recognizable recordings.
By 1987, the Doobie Brothers had officially disbanded for the first time, and McDonald was fully established as a solo artist. His debut solo album If That is What It Takes, released in 1982, had already set the foundation for this next chapter. I Keep Forgettin Every Time You are Near emerged as a defining track from that album, blending smooth R and B phrasing with pop accessibility. Released as a single, the song reached number four on the Billboard Hot 100, confirming McDonald as a major presence beyond his work with the Doobie Brothers.
The live arrangement heard in this performance stays faithful to the studio version while benefiting from a seasoned ensemble of Nashville based players. The groove remains tight and relaxed, driven by a steady rhythm section and layered keyboards that support McDonald’s unmistakable vocal tone. His delivery is controlled and expressive, showing the balance he had mastered between technical precision and emotional restraint. Rather than oversinging, he lets the melody and phrasing carry the performance.
Chet Atkins’ involvement adds historical weight to the moment. Known primarily as a guitarist and producer, Atkins had long championed musical excellence across genres. His introduction of McDonald signals mutual respect and positions the performance within a broader tradition of American popular music. The wider program brought together artists such as Mark Knopfler, the Everly Brothers, Emmylou Harris, Waylon Jennings, and Willie Nelson, reinforcing the collaborative spirit of the event.
The backing musicians contribute significantly to the authenticity of the performance. David Hungate on bass and Larry Londin on drums provide a deep and reliable foundation. Keyboard work from Darryl Dybka and Clayton Ivey adds texture without distraction. Terry McMillan’s percussion and Paul Yandel’s guitar work remain tasteful and restrained. Vocal support from David Pack blends smoothly with McDonald’s lead.
This 1987 performance captures Michael McDonald at ease with his identity as a solo artist. It reflects a moment when his songwriting, voice, and musical partnerships aligned naturally, resulting in a rendition that feels timeless rather than dated.