“Can the Can” by Suzi Quatro: A Trailblazing Anthem of Female Rock Empowerment
In the vibrant landscape of 1973, Suzi Quatro emerged as a formidable force in rock music with her electrifying single, “Can the Can.” This track not only catapulted her to the pinnacle of the UK charts but also shattered prevailing norms, establishing Quatro as the first prominent female bass guitarist in rock—a milestone that resonated profoundly with audiences and inspired a generation of female musicians.
Released in May 1973, “Can the Can” swiftly ascended to number one on the UK Singles Chart, maintaining its position for a week in June of the same year. The song’s infectious energy and Quatro’s dynamic performance also propelled it to the top of charts across Europe and Australia, regions where she enjoyed sustained success throughout her career. Interestingly, the track found delayed recognition in the United States, peaking at number 56 on the Billboard Hot 100 in 1976. Despite re-releases in the UK during 1984 and 1987, the song did not replicate its initial chart-topping success.
The creative minds behind “Can the Can” were the prolific songwriting and production duo Mike Chapman and Nicky Chinn, known for crafting hits for various glam rock artists of the era. The phrase “can the can,” as explained by Chinn, symbolizes attempting the impossible—endeavoring to contain or control something inherently unmanageable. This metaphor is vividly portrayed in the song’s lyrics, which depict a young woman striving to secure her partner’s commitment amidst external challenges. The use of animal imagery, referring to the woman’s mother as a “tiger” and her boyfriend as an “eagle,” adds depth to the narrative, highlighting the fierce determination and soaring aspirations involved in navigating complex relationships.
Musically, “Can the Can” is a high-octane fusion of glam rock and hard rock elements, characterized by its driving guitar riffs, robust basslines, and Quatro’s powerful vocals. Her commanding presence and distinctive style—often donned in leather attire—challenged the male-dominated rock scene, breaking barriers and redefining gender roles within the genre. This bold persona, combined with her musical talent, paved the way for future generations of female artists to assert themselves in the rock domain.
Reflecting on her groundbreaking journey, Quatro has expressed a deep connection with her audience, particularly in Australia, where she experienced overwhelming support during her tours. In a 2025 interview, she recounted her memorable arrival in Melbourne in 1974, where she was greeted by Hells Angels bikers and gifted a custom-made leather bikini—a testament to her rock ‘n’ roll image and the profound impact she had on fans worldwide. This enduring bond with her audience has fueled her passion for performance, leading her to continue touring and sharing her music across the globe.
For those eager to experience the raw energy and pioneering spirit of “Can the Can,” the original music video offers a captivating glimpse into Quatro’s dynamic performance style. This visual representation encapsulates the essence of a trailblazing artist who not only topped charts but also transformed the landscape of rock music, leaving an indelible mark on the industry and inspiring countless artists to follow in her footsteps.