The M.T.A. Mystery Ride: The Kingston Trio’s Folk Classic
With “M.T.A.,” The Kingston Trio spins an unforgettable tale that’s as much about protest as it is about humor and storytelling. Released in 1959, this folk song follows the bizarre saga of Charlie, a man eternally trapped on Boston’s subway because he can’t afford the extra nickel to exit. Set to a lively rhythm and paired with The Kingston Trio’s signature harmonies, the song takes listeners on a journey through a story that feels surprisingly timeless.
As Charlie boards the train, little does he know that his life is about to become a series of endless stops and starts, circling the city with no way off. The lyrics, penned by Jacqueline Steiner and Bess Lomax Hawes, are brilliantly tongue-in-cheek, laced with wit and social commentary. Through the lens of poor Charlie’s predicament, the song critiques the then-new fare increase on Boston’s Metropolitan Transit Authority. It uses humor to address serious themes of economic injustice and public frustration, but it’s done in a way that keeps listeners smiling—even while the message sinks in.
The Trio’s upbeat banjo plucking and harmonies infuse “M.T.A.” with an irresistible energy. The melody is catchy, almost bouncy, a perfect match for the song’s ironic storyline. This musical style is part of what made The Kingston Trio one of the defining acts of the American folk revival; they had a knack for making complex social issues feel accessible, sometimes even lighthearted, all while maintaining a rich, traditional folk sound. Their ability to convey a message through vivid character-based storytelling was unmatched, and “M.T.A.” is one of the best examples of that skill.
“M.T.A.” remains a beloved piece of Americana, a folk song with a heart and a sense of humor. Charlie’s never-ending subway ride has become almost mythic, a symbol of resilience, frustration, and the absurdity of bureaucratic red tape. Even today, the song continues to resonate, a reminder that sometimes a nickel can stand between us and where we’re going—but music can help us laugh all the way there.