Remembering Better Versus Correctly Jackson Browne Reflects on Songwriting and Early Discipline
In a revealing conversation with filmmaker Sam Jones, Jackson Browne offered a candid reflection on the craft of songwriting, the discipline behind it, and the subtle difference between remembering something correctly and remembering it better. The discussion also touched on Browne’s early connection with Glenn Frey, later of the Eagles, providing insight into a formative chapter of American rock history.
During the interview, Browne responded to a story often repeated by Frey in which he described living above Browne and observing his relentless work habits. Frey credited Browne with demonstrating what serious songwriting looked like, particularly the practice of repeating a phrase, melody, or chorus over and over until it was refined. When asked whether he considered himself a hard worker, Browne acknowledged that in certain areas he was deeply committed and persistent.
He described having what he called an elephant’s memory for language, tone, and phrasing. However, he also emphasized that memory is not always exact. In his view, each recollection can subtly improve upon the original idea. That process, he suggested, is central to writing. Sometimes a songwriter believes a line or melody was one way, only to discover when revisiting an early demo that it was different and perhaps better. This awareness led Browne to begin recording nearly everything he wrote, first on dictaphones and later through evolving portable technologies. By documenting ideas as they emerged, he could compare memory with reality.
Browne also shared details about his early writing environment. He often composed songs late at night at the kitchen table while others in the household slept. To avoid waking anyone, he sang in a whisper. This practical constraint had unintended musical consequences. Writing in a subdued voice sometimes pushed melodies outside his natural vocal range. When the time came to record properly, he found himself navigating notes that had been shaped by quiet necessity rather than vocal comfort.
In one anecdote, a concerned household member once burst into the room after hearing unusual sounds, fearing someone was in distress. Browne calmly explained he was simply writing a song. The story illustrates both the intensity and the isolation of his early creative process.
The conversation highlights a disciplined and introspective approach to songwriting. Rather than relying on inspiration alone, Browne developed habits of repetition, documentation, and careful listening. His distinction between remembering correctly and remembering better underscores a broader philosophy. Songwriting, in his view, is not only about capturing ideas but about refining them through attention, patience, and honest self review.